Master Iphone Photography

The adage “the best camera is the one you have with you” has never been more true than in the age of the iPhone. What began as a convenient, 2-megapixel afterthought on a revolutionary new device has evolved into a formidable creative tool, a pocket-sized studio that has democratized high-quality photography and videography for millions. Its journey from a simple lens to a computational powerhouse is a story of relentless innovation, where the boundaries of software and hardware have blurred into a single, seamless experience. This guide will trace that remarkable journey, demystify the powerful technology inside your pocket, and provide a comprehensive manual to unlock its full potential. It is designed to transform your everyday snapshots into certifiable masterpieces by explaining not just the “how” of its settings, but the “why” behind its groundbreaking technology.

Part I: The Evolution of an Icon – A History of the iPhone Camera

The iPhone camera’s history is a microcosm of the evolution of mobile technology itself. It illustrates a strategic and decisive shift from a hardware-centric “megapixel race” to a new paradigm dominated by software, custom silicon, and the sophisticated mathematics of computational processing. Each generation built upon the last, not merely by adding pixels, but by fundamentally reimagining what a camera in a phone could be.

Chapter 1: The Humble Beginnings (2007-2009): A Camera of Convenience

When the first iPhone was unveiled in 2007, the camera was more a novelty than a headlining feature. It was a testament to convergence, but its photographic capabilities were rudimentary at best, reflecting an era where the camera was seen as an accessory to the phone, not a core pillar of its identity.

The Original iPhone (2007) & iPhone 3G (2008)

The first-generation iPhone and its successor, the iPhone 3G, featured a spartan 2-megapixel (MP) rear camera. By today’s standards, the specifications were minimal: there was no zoom, no flash, no video recording, and certainly no front-facing camera for selfies. The lens was a fixed-focus design, often referred to as a hyperfocal lens, which was common for mobile phones of the time. This meant it was engineered to keep everything from a certain distance away to infinity in “acceptable” focus, but this came at a cost. Close-up shots were often blurry, and the concept of macro photography was nonexistent.

In less than ideal lighting, images were noisy and lacked detail. Yet, the sheer magic of having a camera connected to the internet in one device was revolutionary. It laid the groundwork for a behavioral shift in how people capture and share moments, even if the quality was, by all accounts, mediocre.

iPhone 3GS (2009): The First Meaningful Upgrade

The “S” in iPhone 3GS stood for “Speed,” but it could just as easily have stood for “Serious,” as this was the first model where Apple made a meaningful upgrade to the camera system. The resolution saw a modest bump to 3 MP, but the critical additions were on the software and functionality side. For the first time, users could record video, albeit at a standard VGA resolution of 640×480 pixels.

Even more significant was the introduction of autofocus with a “tap-to-focus” interface. This simple software feature gave users a new level of creative control, allowing them to dictate the most important part of the scene. This, combined with auto-white balance, marked the first time an iPhone camera became more than a static capture device; it was an interactive tool that hinted at the software-driven future to come.

Chapter 2: The Camera Gets Serious (2010-2013): Laying the Foundation

The period between 2010 and 2013 marked a turning point. Apple began to recognize the camera as a central element of the iPhone experience, initiating a series of hardware and software upgrades that would lay the foundation for its future dominance in mobile photography.

iPhone 4 (2010): A Game-Changer

The iPhone 4 represented an intense new focus on photography, a true game-changer in the industry. The rear camera’s resolution jumped to 5 MP and was paired with an LED flash, dramatically improving its utility. Video recording was upgraded to 720p HD quality, a significant leap from the 3GS’s VGA capabilities.

Critically, this model introduced the first-ever front-facing camera. While only VGA quality, it enabled FaceTime video calls and, inadvertently, sparked the global phenomenon of the “selfie”. This era also saw the debut of the high-resolution Retina Display. This was a crucial piece of the puzzle; for the first time, users could see the improved quality of their photos with stunning clarity directly on the device that captured them, creating a powerful feedback loop that reinforced the value of a better camera.

iPhone 4S (2011): The Point-and-Shoot Killer

If the iPhone 4 was a game-changer, the 4S was the model that put the dedicated point-and-shoot camera market on notice. With another resolution jump to an 8 MP sensor, improved five-element lens optics, and full 1080p HD video recording, the iPhone 4S was the first iPhone truly capable of being the primary camera for millions of users.

Beneath the surface, an even more important innovation was at play. The iPhone 4S was the first to feature a dedicated Image Signal Processor (ISP) integrated directly into Apple’s custom A5 chip. This specialized hardware enabled real-time image processing functions like face detection and led to demonstrably better photo clarity and color accuracy. It was Apple’s first major step in using custom silicon to enhance photographic output, a strategy that would become its defining advantage in the years to come.

iPhone 5 & 5S (2012-2013): Refinement and New Capabilities

The iPhone 5 and 5S continued to build on the strong foundation of the 4S. While the rear camera’s resolution remained at 8 MP, the hardware and software saw significant refinements. The lens aperture was widened to f/2.2 on the 5S, letting in more light for better performance in dim conditions. The flash was upgraded to a dual-LED “True Tone” module, which used both a white and an amber LED to more accurately match the ambient color temperature, resulting in more natural-looking skin tones in flash photography.

On the software front, Apple introduced features that are now standard, including slow-motion video capture (at 120 frames per second) and a high-speed burst mode. The front-facing “FaceTime” camera also received a much-needed upgrade to 1.2 MP and 720p HD video recording, finally making selfies respectable.

Chapter 3: The Multi-Lens Era (2014-2018): The Dawn of Computational Photography

This period marks the most significant philosophical shift in the iPhone camera’s history. While hardware continued to improve, the true breakthroughs came from using multiple lenses and immense processing power to create images and effects that a single, small lens simply could not achieve on its own. This was the dawn of computational photography as a mainstream feature.

iPhone 6 & 6 Plus (2014): Stabilization and the “Camera Bump”

With the introduction of two different sizes, Apple began to differentiate its camera offerings. The larger iPhone 6 Plus was the first model to feature Optical Image Stabilization (OIS), a hardware-based system where the lens is physically moved by tiny motors to counteract the user’s hand shake, resulting in sharper photos, especially in low light.

This generation also saw the debut of the now-ubiquitous “camera bump”. As Apple’s phone bodies grew thinner and the camera’s lens systems grew more complex to achieve better quality, a physical conflict arose. The laws of physics dictate that better optics generally require larger lenses to gather more light and project a sharp image onto the sensor. The camera bump was the physical manifestation of this conflict—a design compromise where the pursuit of better image quality won out over a perfectly flush back. This seemingly minor design choice, however, was a critical turning point. Unable to make phones thicker or bumps infinitely larger without compromising their design ethos, Apple was forced to look beyond traditional hardware solutions to improve image quality. This physical constraint became a primary catalyst, forcing the company to invest heavily in software and processing to overcome the limitations of a compact form factor, setting the stage for the computational revolution to follow.

iPhone 7 Plus (2016): The Revolution of Two Lenses

The iPhone 7 Plus was a monumental leap, arguably the most important in the camera’s history. It introduced a dual-camera system, pairing the standard wide-angle lens with a new telephoto lens. This allowed for true 2x optical zoom for the first time on an iPhone, letting users get closer to their subjects without the quality degradation of digital zoom.

More importantly, this dual-lens hardware was the key that unlocked Apple’s first major computational photography feature: Portrait Mode. By comparing the slightly different perspectives from the wide and telephoto lenses, the iPhone’s software could generate a real-time depth map of the scene. It could distinguish the subject from the background and then artificially apply a blur, simulating the shallow depth-of-field (or “bokeh”) effect characteristic of a professional DSLR camera with a large lens. This was the moment Apple decisively pivoted, demonstrating that it could use clever software to mimic, and in some cases replicate, the desirable qualities of much larger and more expensive camera hardware.

iPhone X & XS (2017-2018): The Neural Engine and Smart HDR

The iPhone X refined the dual-camera system with wider apertures and OIS on both lenses. The true turning point, however, arrived with the iPhone XS in 2018. It was powered by the new A12 Bionic chip, which featured an 8-core Neural Engine—specialized hardware designed explicitly for machine learning tasks. This new processing power enabled Smart HDR.

Smart HDR was a massive step forward. Instead of just taking one picture, the camera would continuously buffer frames. When the shutter was pressed, it would instantly analyze a burst of images captured at different exposures and use the Neural Engine to merge the best parts of each into a single, perfectly exposed photo. This process preserved stunning detail in both the brightest highlights and the darkest shadows of a scene, solving the age-old problem of dynamic range in a way that was previously impossible on a smartphone. Furthermore, the iPhone XS leveraged the Neural Engine to improve Portrait Mode, creating more accurate edge detection around subjects and, for the first time, allowing users to adjust the intensity of the background blur after the photo was taken.

Chapter 4: The Age of Computational Supremacy (2019-Present): Software as the Superpower

With the foundation of multi-lens systems and the Neural Engine firmly in place, the most recent era of the iPhone camera has been defined by a cascade of sophisticated software features that push the boundaries of what is possible with mobile imaging.

iPhone 11 Pro (2019): The Triple-Lens System, Night Mode, and Deep Fusion

The iPhone 11 Pro added a third camera to the array: an Ultra-Wide lens, creating a versatile trifecta that offered optical zoom-out (0.5x), standard (1x), and optical zoom-in (2x). This hardware expansion was accompanied by two groundbreaking computational features.

First was Night Mode. Using a combination of longer exposures, advanced stabilization, and intelligent image stacking, Night Mode could produce shockingly bright and clear photos in extremely dark conditions where previous phone cameras would have captured only noise. Second was Deep Fusion, a new image processing pipeline that activated in mid-to-low light conditions. It worked in the background, capturing nine exposures before the shutter was even pressed and then using the Neural Engine to analyze them pixel by pixel, fusing the best parts to maximize texture and detail.

iPhone 12 Pro (2020): Sensor-Shift & ProRAW

The iPhone 12 Pro series brought two professional-grade technologies to the iPhone. The larger Pro Max model introduced Sensor-Shift Stabilization, a system previously found only in high-end mirrorless cameras. Instead of moving the lens, it moves the much lighter image sensor itself, allowing for faster and more precise corrections to stabilize the image.

This series also introduced Apple ProRAW, a revolutionary image format. It combined the rich, unprocessed data of a traditional RAW file with the multi-frame computational data from features like Smart HDR and Deep Fusion. This gave professional photographers the best of both worlds: the full editing flexibility of a RAW file without having to sacrifice the “magic” of Apple’s computational processing. To further enhance capabilities, LiDAR scanners were added to the Pro models, enabling faster and more accurate autofocus in low light and powering a new generation of augmented reality experiences.

iPhone 13 Pro (2021): Cinematic Mode and Macro

The iPhone 13 Pro generation focused on video, introducing Cinematic Mode. This feature applied the depth-mapping intelligence of Portrait Mode to video, creating a shallow depth-of-field effect and enabling real-time, AI-driven focus transitions that could automatically shift focus when a new subject entered the frame or looked at the camera. The focus points could even be changed in post-production.

On the hardware front, the Ultra-Wide lens was significantly upgraded with a new autofocus system, allowing it to focus as close as 2 centimeters. This unlocked true Macro photography for the first time on an iPhone, opening up a new world of creative possibilities for capturing intricate, close-up details.

iPhone 14 Pro (2022): The 48MP Leap and the Photonic Engine

In a major hardware shift, the iPhone 14 Pro broke from a long tradition of 12 MP sensors. For the first time since the iPhone 6S, Apple increased the main camera’s resolution, jumping to a massive 48 MP sensor. This new sensor employed a technique called “pixel binning,” where it would group four adjacent pixels into one large “quad-pixel.” This effectively created a 12 MP image with superior light-gathering ability and lower noise, while still giving users the option to capture full 48 MP ProRAW photos for maximum detail.

To process this huge increase in image data, Apple introduced the Photonic Engine. This new imaging pipeline is an evolution of Deep Fusion, but it applies the multi-frame fusion process much earlier, on the uncompressed image data, before any other processing occurs. This “front-loading” of the computational work results in dramatically better color fidelity and detail, especially in mid-to-low light. For video, a new Action Mode was introduced, using advanced stabilization and a slight crop of the sensor to deliver gimbal-like smoothness when filming while running or moving quickly.

iPhone 15 Pro & Beyond (2023-): Refining the Pro Workflow

The most recent iPhone models have continued to refine the camera system with a focus on professional workflows. The iPhone 15 Pro Max debuted a new 5x optical telephoto lens (a 120 mm equivalent focal length) using an innovative “tetraprism” design that folds the light path to fit the long lens into the phone’s body.

This generation solidified its “pro” credentials by adding support for Log video recording and the Academy Color Encoding System (ACES), both standards in the professional filmmaking industry. These features provide maximum dynamic range and a standardized color workflow for serious color grading. The addition of a USB-C port also enabled a crucial pro feature: the ability to record massive ProRes video files directly to an external SSD, bypassing the limits of internal storage. More recent models, like the announced iPhone 16 series, continue this trajectory by upgrading the Ultra-Wide camera to 48 MP and adding a dedicated “Camera Control” button, further blurring the line between a smartphone and a dedicated professional camera.

Table 1: iPhone Camera Evolution at a Glance

The following table provides a summary of the most critical hardware and software advancements in the history of the iPhone camera, illustrating the shift from a hardware-driven evolution to one dominated by computational power.

iPhone Model

Rear Camera MP (Wide)

Key Hardware Innovations

Key Software/Computational Innovations

iPhone 3GS (2009)

3 MP

Video Recording (VGA)

Tap-to-Focus Autofocus, Auto White Balance

iPhone 4 (2010)

5 MP

Front-Facing Camera (VGA), LED Flash

720p HD Video

iPhone 4S (2011)

8 MP

Improved 5-Element Lens, A5 Chip with ISP

1080p Full HD Video, Face Detection

iPhone 6 Plus (2014)

8 MP

Optical Image Stabilization (OIS)

Phase-Detection Autofocus

iPhone 6S (2015)

12 MP

4K Video Recording, Live Photos

iPhone 7 Plus (2016)

12 MP

Dual-Lens System (Wide + Telephoto)

2x Optical Zoom, Portrait Mode (Bokeh)

iPhone XS (2018)

12 MP

A12 Bionic with 8-core Neural Engine

Smart HDR, Adjustable Depth Control

iPhone 11 Pro (2019)

12 MP

Triple-Lens System (Wide, Tele, Ultra-Wide)

Night Mode, Deep Fusion

iPhone 12 Pro Max (2020)

12 MP

Sensor-Shift Stabilization, LiDAR Scanner

Apple ProRAW, Dolby Vision HDR Video

iPhone 13 Pro (2021)

12 MP

Macro-capable Ultra-Wide Lens

Cinematic Mode, Photographic Styles

iPhone 14 Pro (2022)

48 MP

48MP Main Sensor with Pixel Binning

Photonic Engine, Action Mode

iPhone 15 Pro Max (2023)

48 MP

5x (120mm) Telephoto Tetraprism Lens, USB-C

Log Video Recording, ACES Support

iPhone 16 Pro (2024)

48 MP

48MP Ultra-Wide Lens, Camera Control Button

Enhanced AI Features, Spatial Video

Part II: Under the Hood – Demystifying iPhone Camera Technology

To truly master the iPhone camera, one must understand the interplay of its core components. The exceptional quality of modern iPhone images is not the result of a single breakthrough but a symphony of meticulously engineered hardware and profoundly intelligent software working in concert. This section moves from the historical “what” and “when” to the technical “how” and “why,” dissecting the lenses, sensors, silicon, and software that power this pocket-sized imaging marvel.

Chapter 5: The Eyes of the iPhone: Lenses, Sensors, and Stabilization

At the most fundamental level, a camera is a device for capturing light. The quality of that capture is dictated by the physical properties of its components. While software can perform incredible feats, it is ultimately working with the light gathered by the lens and sensor.

More Than Megapixels: The Physics of Light

For years, the marketing of digital cameras was dominated by a “megapixel race,” creating the common misconception that more megapixels automatically means a better picture. While resolution is important, the two most critical factors for raw image quality are sensor size and aperture.

The image sensor is the digital equivalent of film. Its surface is covered in millions of photosites (pixels) that collect photons. A larger sensor has more surface area, which means it can either have more pixels, larger pixels, or both. Larger pixels can capture more light in a given amount of time, which leads to a cleaner image with less digital “noise” (the grainy look common in low-light photos) and a greater dynamic range (the ability to capture detail in both the very bright and very dark parts of a scene simultaneously). This physical advantage is why even an older DSLR with a large sensor can still outperform a smartphone in challenging light.

The aperture is the opening in the lens that lets light pass through to the sensor. Its size is measured in f-stops (e.g., f/1.6, f/2.2). Counterintuitively, a lower f-stop number means a wider aperture, which lets in more light. A wider aperture is crucial for better low-light performance and also contributes to creating a natural shallow depth of field.

Apple has steadily increased the sensor size and widened the apertures on its main cameras. For instance, the iPhone 15 Pro features a relatively large 1/1.28-inch main sensor, which is bigger than the 1/1.56-inch sensor in the standard iPhone 15, giving it a physical advantage in light gathering.

The Holy Trinity: Wide, Ultra-Wide, and Telephoto

Modern Pro-model iPhones feature a sophisticated multi-lens system, providing a versatile toolkit for photographers.

  • The Wide (Main) Lens: This is the workhorse of the system. It is almost always the camera with the largest sensor, the widest aperture (e.g., f/1.78 on the iPhone 15 Pro), and the most advanced stabilization. This makes it the default choice for most situations and the undisputed champion for low-light photography. Its focal length, typically around a 24mm equivalent, is versatile for everything from landscapes to group shots.
  • The Ultra-Wide Lens: This lens provides a dramatically wider field of view, often around 120 degrees, with a focal length equivalent to about 13mm. It is perfect for capturing sweeping landscapes, large architectural scenes, or for creative effect in tight spaces. On recent Pro models, the Ultra-Wide lens has been equipped with a high-performance autofocus system that allows it to focus as close as 2 centimeters, enabling it to double as the iPhone’s dedicated Macro lens.
  • The Telephoto Lens: This lens offers true optical zoom, using lens elements to magnify the subject rather than simply cropping and enlarging the image digitally. This preserves maximum image quality when shooting subjects from a distance. Apple has progressively increased the optical reach of its telephoto lens, moving from 2x (approx. 52mm) to 3x (approx. 77mm), and most recently to 5x (120mm) on the iPhone 15 Pro Max, which uses an innovative “tetraprism” design to fold the long light path within the thin chassis of the phone.

Fighting the Shake: OIS vs. Sensor-Shift Stabilization

Capturing a sharp image requires the camera to be perfectly still during the exposure, a challenge for handheld photography. Apple employs two forms of hardware-based stabilization to combat this.

  • Optical Image Stabilization (OIS): This was the initial standard for iPhone stabilization. In an OIS system, the lens assembly is mounted on a platform controlled by electromagnets. Using data from the phone’s gyroscopes, the system detects the user’s hand movements and physically shifts the lens in the opposite direction to keep the image projected onto the sensor stable.
  • Sensor-Shift Stabilization: First introduced on the iPhone 12 Pro Max’s main camera and now standard on recent models, this is a more advanced system derived from high-end mirrorless cameras. Instead of moving the heavier lens assembly, this system moves the image sensor itself. Because the sensor is significantly lighter than the lens, it can be moved more quickly and precisely—up to 5,000 times per second. This results in more effective stabilization, especially for low-light shots that require a longer shutter speed. A key advantage is its ability to also correct for “roll” rotation (twisting the camera around the lens axis), something traditional lens-based OIS cannot do.

Chapter 6: The Brains of the Operation: The A-Series Chip and Neural Engine

The remarkable capabilities of the modern iPhone camera are computationally expensive. Processing multiple image streams, analyzing scenes in real-time, and fusing frames together requires immense processing power. This is where Apple’s biggest strategic advantage lies: its custom-designed silicon.

The Powerhouse Behind the Pixels

The A-series chip in every iPhone is more than just a CPU; it is a complex System on a Chip (SoC) that integrates multiple specialized processors. For photography, the two most important are the Image Signal Processor (ISP) and the Neural Engine. The ISP handles traditional camera functions like autofocus, exposure control, and noise reduction at incredible speeds. But the true magic behind modern features comes from the Neural Engine.

The Neural Engine’s Role

First introduced with the A11 Bionic chip in 2017, the Neural Engine is a dedicated hardware accelerator designed for one purpose: to perform machine learning (AI) calculations at blistering speeds. It can perform trillions of operations per second, offloading these highly complex and parallelized tasks from the main CPU and GPU, which are not optimized for them. This allows the iPhone to run sophisticated AI models in real-time without crippling performance or draining the battery.

This tight integration of custom silicon and camera development has created a powerful symbiotic relationship. The camera team can envision and design computationally intensive features that would be impossible on other platforms, confident that the silicon team is building a chip powerful enough to run them. This co-evolution is evident in the iPhone’s history:

  1. The A11 Bionic’s first Neural Engine enabled the initial depth mapping for Portrait Mode and Face ID.
  2. The more powerful 8-core Neural Engine in the A12 Bionic (iPhone XS) was the key that unlocked the multi-exposure analysis required for Smart HDR.
  3. The faster Neural Engine in the A13 Bionic (iPhone 11) provided the horsepower for the even more complex pixel-by-pixel analysis of Deep Fusion and the multi-frame stacking of Night Mode.
  4. The current 16-core Neural Engines in chips like the A17 Pro are what make processing a 48MP ProRAW file or applying real-time focus tracking and blur in Cinematic Mode computationally feasible.

The iPhone’s camera and its A-series chip are not separate components developed in isolation; they are a single, co-evolved system. Camera advancements are now fundamentally driven by and dependent on the power of Apple’s custom silicon, creating a unique, vertically integrated advantage that is difficult for competitors to replicate.

Chapter 7: The Software That Sees: A Deep Dive into Computational Photography

Computational photography is the philosophy of using software and immense processing power to overcome the physical limitations of small smartphone sensors and lenses. Instead of relying solely on optics to capture a perfect scene in a single shot, it captures a wealth of data through multiple frames and uses intelligent algorithms to construct a final image that is superior to any single frame. Apple’s implementation of this philosophy has evolved through three key stages.

The Evolutionary Chain of Image Processing

  • Smart HDR: Solving Dynamic Range: High Dynamic Range (HDR) is the foundational technology. In a scene with bright skies and dark shadows, a single exposure will either blow out the highlights (losing sky detail) or crush the shadows (losing detail in dark areas). Smart HDR solves this by capturing a rapid burst of frames at different exposures the moment the shutter is pressed. It includes “interframes” that are deliberately overexposed to capture shadow detail and underexposed to capture highlight detail. The Neural Engine then analyzes the frames, identifies elements like faces and skies, and intelligently merges the best-exposed parts of each into a single, composite image with a balanced dynamic range.
  • Deep Fusion: Maximizing Texture and Detail: Deep Fusion is the next step, focusing on detail in mid-to-low light scenarios where noise can become an issue. It is an entirely automatic process. Before the user even presses the shutter, the camera is already buffering a series of short-exposure frames to freeze motion. When the shutter is pressed, the camera also captures a single, longer exposure to gather more light and color information. The Neural Engine then embarks on what Apple called “computational photography mad science”. It selects the best of the buffered images and the long exposure—a total of nine frames—and meticulously fuses them together, analyzing the scene pixel by pixel to select the sharpest textures and most accurate details, resulting in a final 12 MP image with remarkable clarity and minimal noise.
  • Photonic Engine: The Pinnacle of the Pipeline: The Photonic Engine, introduced with the iPhone 14 Pro, is the current state of the art. It is not a separate mode but a fundamental enhancement of the entire image processing pipeline. It takes the principles of Deep Fusion but applies them much earlier in the process, to the uncompressed image data directly from the sensor, before any color processing or compression occurs. By performing this complex, multi-frame fusion on the “raw” data, the Photonic Engine is able to preserve far more detail and color information. This results in a dramatic improvement in photo quality across all lenses, especially in the challenging mid-to-low light range, yielding more vibrant colors and richer textures.

Part III: From Snapshots to Masterpieces – Your Practical Guide

Understanding the technology under the hood is the first step. The next is learning how to wield it. The modern iPhone camera offers a sophisticated suite of tools that cater to both the casual user seeking a beautiful, instant photo and the serious creator demanding granular control. This section serves as a practical manual for navigating these options, providing clear, actionable guidance to elevate your photography and videography.

Chapter 8: Setting Up for Success: Essential Camera Settings

Before you even open the Camera app, optimizing a few key settings can fundamentally change the quality and flexibility of the images you capture. This has led to a “two paths” philosophy in Apple’s camera design. One path prioritizes automation and convenience, delivering a polished, ready-to-share file with minimal user input. The other path prioritizes data and control, providing professional-grade files that offer maximum flexibility for editing. Choosing the right path for your needs is the first step to mastering the camera.

Photo Formats – HEIF Max vs. Apple ProRAW

Navigate to Settings > Camera > Formats to choose your capture format.

  • High Efficiency (HEIF): This is the default format for a reason. HEIF (High-Efficiency Image Format) is a modern, compressed file type that offers significantly better quality than the older JPEG format at roughly half the file size. On supported models, you can enable HEIF Max, which allows the camera to capture a full 48 MP image. This format gives you the benefit of high resolution while still applying all of Apple’s advanced computational processing—like the Photonic Engine and Smart HDR—to produce a stunning, ready-to-share final image.
  • Apple ProRAW: This is the ultimate format for creative control and the preferred choice for serious editing. ProRAW is a unique “computational RAW” file. A traditional RAW file contains the raw, unprocessed data directly from the camera sensor, which gives editors immense flexibility but discards the camera’s built-in processing. Apple ProRAW ingeniously provides the best of both worlds: it packages the unprocessed sensor data along with the computational data from Smart HDR, Deep Fusion, and the Photonic Engine. This allows an editor using software like Adobe Lightroom to start with Apple’s intelligently processed image as a baseline, but still have the full flexibility to override it and adjust exposure, white balance, color, and tone from scratch.
  • When to Use Which: For everyday photos that you want to look great and share immediately, HEIF Max is the perfect choice for high-resolution results without massive file sizes. Use Apple ProRAW only when you intend to spend time editing the photo. The files are substantially larger (a 48 MP ProRAW file is approximately 75 MB, while a 48 MP HEIF Max is around 5 MB), but the wealth of data they contain provides unparalleled editing latitude.

Video Formats – Resolution and Frame Rate

In Settings > Camera > Record Video, you can set your default video parameters.

  • Resolution (4K vs. 1080p): If storage space permits, it is almost always best to record in 4K. 4K resolution (3840 x 2160 pixels) contains four times the amount of detail as 1080p HD (1920 x 1080 pixels). This results in a crisper, clearer, and more professional-looking video. Even if your final project will be delivered in 1080p, a video shot in 4K and then downscaled to 1080p will appear sharper and more detailed than one shot natively in 1080p.
  • Frame Rate (fps): The frame rate determines the smoothness of motion and is a creative choice.
  • 24 fps: This is the long-standing industry standard for cinema. It produces a subtle, natural motion blur that our eyes associate with a “filmic” look. Choose this for a cinematic aesthetic.
  • 30 fps: This is the standard for broadcast television and provides a clean, smooth look that is common for news, sports, and general online video.
  • 60 fps: This captures twice as many frames per second, resulting in hyper-smooth motion. It is ideal for recording fast-moving action or for creating high-quality slow-motion effects in post-production. A 60 fps clip can be slowed down to 40% speed on a 24 fps timeline for buttery-smooth slow motion.

Pro Video – Apple ProRes and Log

For the most demanding video workflows, the iPhone Pro models offer professional-grade codecs.

  • Apple ProRes: This is a family of professional video codecs used in the film and television industry. Unlike the highly compressed default formats (HEVC/H.264), ProRes uses much less compression, which preserves significantly higher color fidelity and image detail. It is the video equivalent of shooting in ProRAW.
  • When to Use It: ProRes should be used only by serious filmmakers, colorists, or videographers who plan to perform intensive color grading and post-production work. The file sizes are enormous—a single minute of 4K ProRes video can consume over 6 GB of storage. On newer iPhones, recording ProRes at higher frame rates requires connecting an external SSD via the USB-C port. For sharing on social media, it is complete overkill, as the platforms will heavily compress the video anyway.
  • Log Recording: Within the ProRes settings, users can choose to record in a Log (Logarithmic) profile. This produces a video that looks extremely “flat,” desaturated, and low-contrast straight out of the camera. While visually unappealing at first, this flat profile captures the maximum possible dynamic range from the sensor, giving a professional colorist the most data and flexibility to manipulate the color and tone in post-production to achieve a precise cinematic look.

Table 2: Recommended Settings for Common Scenarios

This table provides a practical “cheat sheet” for choosing the best settings for your specific goal.

Scenario

Photo Format

Video Resolution

Video Frame Rate

Video Codec

Key Mode/Tip

Everyday Photos & Memories

HEIF Max (48 MP)

4K

30 fps

HEVC

Use Portrait Mode for people/pets.

Social Media Video (Reels/TikTok)

HEIF Max

1080p or 4K

30 or 60 fps

HEVC

60 fps allows for slow-motion clips.

Serious Portrait Photography

ProRAW (48 MP)

Use Portrait Mode; edit Depth Control later.

Landscape for Large Prints

ProRAW (48 MP)

Use a tripod for maximum sharpness.

Cinematic Short Film

ProRAW (for stills)

4K

24 fps

ProRes (Log)

Use Cinematic Mode; edit focus in post.

Action Sports Video

HEIF Max

2.8K or 1080p

60 fps

HEVC

Enable Action Mode for stability.

Chapter 9: Mastering the Modes: A Step-by-Step Guide

Beyond the base settings, the iPhone’s Camera app is equipped with a range of specialized shooting modes designed to tackle specific creative challenges.

Portrait Mode

This mode creates professional-looking photos with a sharp subject and a beautifully blurred background (bokeh).

  • How-to: Open the Camera app and swipe to Portrait mode. Frame your subject—the lighting effect name (e.g., “Natural Light”) will turn yellow when the effect is ready. On models with multiple lenses, you can tap the 1x, 2x, or 3x buttons to change your composition.
  • Pro Tips: The real power lies in post-production. Open the photo in the Photos app and tap Edit. Here, you can tap the f-number icon to adjust the Depth Control slider, changing the intensity of the background blur from a subtle f/16 to a dramatic f/1.4. On photos taken with recent models, you can also simply tap on a different part of the image to completely change the focus point.

Night Mode

Night mode uses longer exposures and computational processing to capture bright, clear photos in very dark environments.

  • How-to: Night mode activates automatically when the camera detects low-light conditions. A yellow moon icon will appear at the top of the screen, indicating the suggested exposure time (e.g., 1s, 3s).
  • Pro Tips: The single most important factor for a great Night mode shot is stability. Hold the phone as steady as possible during the countdown. For the best results, use a tripod. When the iPhone detects it is perfectly still on a tripod, it can unlock much longer exposure times (up to 30 seconds), capturing incredible detail and light. You can also manually adjust the capture time by tapping the moon icon and moving the slider above the shutter button.

Macro Mode

On supported Pro models, the Ultra-Wide camera can focus on subjects as close as 2 centimeters away for extreme close-ups.

  • How-to: Simply move your iPhone very close to your subject. The camera will automatically detect the proximity and switch into Macro mode.
  • Pro Tips: The automatic switching can sometimes be disruptive. To gain manual control, go to Settings > Camera and toggle on Macro Control. This will cause a small flower icon to appear on the camera screen when you get close to a subject, allowing you to manually turn Macro mode on or off as needed.

Cinematic Mode

This mode brings the shallow depth-of-field effect of Portrait Mode to video, complete with intelligent, automatic focus transitions.

  • How-to: Swipe to Cinematic mode in the Camera app. The software will automatically identify subjects and manage focus. You can tap on a subject to manually rack focus while you are recording.
  • Pro Tips: Like Portrait Mode, the magic is in the edit. Open a Cinematic clip in the Photos app and tap Edit. The timeline will show yellow dots where the focus has shifted. You can drag the playhead, tap on different subjects to change the focus point at any moment, and use the depth slider to adjust the overall blur intensity for the entire video.

Action Mode

Action Mode delivers gimbal-like video stabilization, perfect for capturing smooth footage while running, biking, or in any high-motion scenario.

  • How-to: In Video mode, tap the icon of a running person to enable Action Mode. It performs best in bright, outdoor light.
  • Pro Tips: Action Mode achieves its incredible stability by performing a digital crop on the 4K sensor, which means the maximum output resolution is 2.8K. If you need to use it indoors, you can go to Settings > Camera > Record Video and enable Action Mode Lower Light, but be aware that this may increase visual noise in the pursuit of stability.

Photographic Styles

These are intelligent filters that allow you to customize the default look of your photos before you take them.

  • How-to: In the Camera app, tap the icon that looks like three stacked squares (or swipe up and tap the same icon). You can then swipe between the preset styles: Standard, Rich Contrast, Vibrant, Warm, or Cool. For each style, you can further fine-tune the Tone and Warmth sliders to create your unique look.
  • Pro Tips: Unlike a traditional filter that is applied over a finished image, a Photographic Style is applied intelligently during the image capture process. The Neural Engine ensures that while the overall look of the scene is altered, critical elements like skin tones are preserved naturally. Once you set a style, it becomes your new default for Photo mode, allowing you to develop a consistent personal aesthetic.

Part IV: The Bigger Picture – The iPhone’s Place in the Photographic World

The iPhone camera does not exist in a vacuum. Its meteoric rise has fundamentally reshaped the photography landscape, challenging the dominance of traditional cameras and even altering our collective definition of what constitutes a “good” photograph. Understanding its position relative to dedicated DSLR and mirrorless cameras is crucial for any serious creator.

Chapter 10: iPhone vs. DSLR/Mirrorless – The Ultimate Showdown

The debate between an iPhone and a “real” camera is often framed as a simple question of which is better. The more nuanced reality is that they represent two different philosophies of image-making, each with distinct strengths and weaknesses.

The Core Dichotomy: Computational Perfection vs. Optical Purity

  • iPhone’s Strengths: Convenience and Computational Power. The iPhone’s primary advantage is that it is a supremely powerful camera that is always with you. Its power lies in its convenience, portability, and computational prowess. It leverages its advanced A-series chip and Neural Engine to automate complex photographic techniques like HDR and long-exposure night shots, producing a polished, aesthetically pleasing, and instantly shareable image with minimal user effort. The seamless software integration for editing and sharing across a connected ecosystem is unparalleled. This approach prioritizes the final result, using software to achieve computational perfection.
  • DSLR/Mirrorless’s Strengths: Control and Optical Purity. A dedicated camera’s power lies in its optical purity and ultimate creative control. The significantly larger image sensors and superior, interchangeable glass lenses capture fundamentally higher-quality raw data. This means more detail, less noise, wider dynamic range, and a more natural rendering of light and depth. The ability to mount any lens—from a fisheye to a super-telephoto for wildlife—provides a level of versatility an iPhone cannot match. Tactile, physical controls for aperture, shutter speed, and ISO allow for immediate, precise adjustments, which is critical in fast-changing professional environments. This approach prioritizes the integrity of the initial capture, focusing on optical purity.

This philosophical difference has led to a redefinition of “image quality” itself. Traditionally, quality was measured by optical metrics—the pure data captured by the lens and sensor. The iPhone, engineered for the era of social media, has introduced a new paradigm where quality is also judged by the intelligence of the processing and the aesthetic appeal of the final, instantly shareable result. For many users viewing an image on a small screen, the iPhone’s computationally enhanced photo has a higher perceived quality because it is already optimized for that medium, whereas the “purer” DSLR file requires work to realize its potential.

A Head-to-Head Comparison of Key Scenarios

  • Portraits: The iPhone’s Portrait Mode is a marvel of software, capable of producing excellent results. However, it can sometimes struggle with fine details like hair, creating a slightly artificial-looking edge between the subject and the blurred background. The natural, creamy bokeh produced by a wide-aperture prime lens on a DSLR or mirrorless camera is optically superior and remains the gold standard for professional portraiture.
  • Landscapes: In a high-contrast landscape scene, the iPhone’s Smart HDR will often produce a more immediately pleasing image, automatically balancing the bright sky and dark foreground. A single shot from a DSLR might lose detail in one of these areas. However, the DSLR’s RAW file contains vastly more underlying data, allowing a skilled editor to recover those highlights and shadows more naturally and with greater control than the iPhone’s automated process.
  • Low Light: For static subjects, the iPhone’s Night Mode is nothing short of magical, stacking frames to create a bright, clean image where one shouldn’t be possible. But this technique relies on the subject being still. For low-light situations with moving subjects (like at a concert or an indoor sporting event), a dedicated camera with a large sensor and a fast lens will produce far cleaner, sharper images at high ISO settings with less motion blur.
  • Video: Here, the line is most blurred. The iPhone’s video capabilities, with features like 4K ProRes recording, Log profiles, Cinematic Mode, and Action Mode stabilization, are exceptionally advanced and often surpass those of many entry-level and even mid-range dedicated cameras. However, professional mirrorless cameras still hold an edge with more robust manual controls, better thermal management for preventing overheating during long recordings, and a wider array of audio input options.

Conclusion: The Future is Computational and In Your Pocket

The iPhone has not killed the dedicated camera, but it has irrevocably altered the photographic landscape. It has all but eliminated the market for compact point-and-shoot cameras and has forced traditional manufacturers to innovate and focus on their high-end, professional strengths where the advantages of superior optics and control are undeniable.

The line between “phone camera” and “camera” continues to dissolve, driven by the relentless march of processing power. The iPhone’s journey is a powerful testament to the ability of software to redefine the perceived limits of hardware. For the vast majority of people, and for the vast majority of photographic situations, the iPhone is more than enough camera. For the dedicated artist, the demanding professional, and the passionate hobbyist, it has evolved from a novelty into another powerful, indispensable tool in their creative kit—not a total replacement, but a vital and versatile component. The ultimate takeaway is one of empowerment: never before in the history of photography has such a capable and sophisticated creative device been so universally accessible, resting quietly in the pockets of millions, ready to capture the world.

Works cited

  1. History of the iPhone Camera – YouTube, https://www.youtube.com/watch?v=fkik2qFfi4c 2. Unveiling the Evolution of iPhone Cameras: A Visual Revolution, https://elibragerphotography.com/2024/01/04/unveiling-the-evolution-of-iphone-cameras-a-visual-revolution/ 3. The History of Every iPhone Model from 2007–2025, https://www.iphonelife.com/content/evolution-iphone-every-model-2007-2016 4. Apple and the history of photography – CYME, https://cyme.io/photographers-tips/photo-editing-software/mac-apple-photos/history-photography-apple/ 5. How Has Photography Changed Since the Invention of the iPhone?, https://thetfordphotography.co.uk/how-has-photography-changed-since-the-invention-of-the-iphone/ 6. Flashback: a decade of iPhone camera tech – GSMArena.com news, https://www.gsmarena.com/flashback_a_decade_of_iphone_camera_tech-news-54799.php 7. A visual history of the iPhone’s camera bump over the years – Mashable, https://mashable.com/article/every-apple-iphone-x-camera-bump-comparison 8. Here’s what the 2007 iPhone’s photos look like – CNET, https://www.cnet.com/pictures/heres-what-the-2007-iphones-photos-look-like/ 9. Camera quality comparison for all generations of iPhone : r/pics – Reddit, https://www.reddit.com/r/pics/comments/pnkfn/camera_quality_comparison_for_all_generations_of/ 10. Quick Review: Apple iPhone 5 Camera – DPReview, https://www.dpreview.com/articles/6867454450/quick-review-apple-iphone-5-camera 11. iPhone History: From the Original iPhone to iPhone 16 – Seamgen, https://www.seamgen.com/blog/iphone-history-original-iphone-to-current-iphone 12. iPhone 4 Review: 3 – Camera Photos & Videos – AppleInsider Forums, https://forums.appleinsider.com/discussion/111004/iphone-4-review-3-camera-photos-videos 13. iPhone – Wikipedia, https://en.wikipedia.org/wiki/IPhone 14. A Look into the iPhone Camera and How It’s Changed – initial focus media, https://www.initialfocusmedia.com/articles/capturing-the-world-evolution-of-iphone-camera-technology-over-the-years 15. How has the iPhone Camera Evolved? – sandmarc, https://www.sandmarc.com/blogs/articles/how-has-the-iphone-camera-evolved 16. iPhone camera list: Here are the lenses found in every model – 9to5Mac, https://9to5mac.com/2023/11/22/iphone-camera-list/ 17. iPhone 16: Upgraded Neural Engine for Enhanced AI Performance | by Zebedee Austin, https://zebedeesamuelajise.medium.com/iphone-16-upgraded-neural-engine-for-enhanced-ai-performance-a391bb5b1352 18. The iPhone XS is a leap forward in computational photography – DPReview, https://www.dpreview.com/articles/5831987965/the-iphone-xs-is-a-leap-forward-in-computational-photography 19. Does Apple use computational photography in their iPhones similar to how Google uses it in their pixel phones? – Quora, https://www.quora.com/Does-Apple-use-computational-photography-in-their-iPhones-similar-to-how-Google-uses-it-in-their-pixel-phones 20. How iPhone has evolved as a Camera – Om Malik, https://om.co/2025/05/19/how-iphones-camera-has-evolved/ 21. Deep Fusion Demo: Trying Out Apple’s Computational Photography …, https://petapixel.com/2019/10/28/deep-fusion-demo-trying-out-apples-computational-photography-tech/ 22. Apple’s novel Sensor-shift OIS in the iPhone 12 Pro Max camera – Yole Group, https://www.yolegroup.com/technology-outlook/apples-novel-sensor-shift-ois-in-the-iphone-12-pro-max-camera/ 23. What is sensor shift stabilization and is it better than optical image stabilization (OIS)?, https://www.phonearena.com/news/What-is-sensor-shift-stabilization-vs-OIS_id133572 24. About Apple ProRAW, https://support.apple.com/en-us/119916 25. Identify your iPhone model – Apple Support, https://support.apple.com/en-us/108044 26. support.apple.com, https://support.apple.com/guide/iphone/take-macro-photos-and-videos-iphfaacf2eb0/ios#:~:text=Take%20a%20macro%20photo%20or%20video&text=Make%20sure%20Camera%20is%20in,start%20and%20stop%20recording%20video. 27. Apple iPhone 14 Image Sensor – Apple iPhone 14 Pro and Pro Max Cameras | TechInsights, https://www.techinsights.com/blog/apple-iphone-14-image-sensor-preliminary-analysis 28. iPhone 15 Pro Max – Tech Specs – Apple Support, https://support.apple.com/en-us/111828 29. What is the Photonic Engine on an iPhone and how does it work? – iSTYLE Apple UAE, https://istyle.ae/blog/what-is-photonic-engine-on-iphone-and-how-it-works 30. About Apple ProRes on iPhone, https://support.apple.com/en-us/109041 31. DSLR vs iPhone: Which camera is for you? | Croma Unboxed, https://www.croma.com/unboxed/dslr-vs-iphone-what-camera-is-better-for-you 32. iPhone vs. Camera: Why Image Quality Isn’t Everything – The Real Pros and Cons, https://craigboehman.com/blog/iphone-vs-camera-why-image-quality-isnt-everything-the-real-pros-and-cons 33. iPhone 15 Pro Max vs a DSLR camera: iPhone Photography Week showdown | iMore, https://www.imore.com/iphone/iphone-15/iphone-15-pro-max-vs-a-dslr-camera-iphone-photography-week-showdown 34. Close-up image shows significant size difference between iPhone 15 and Pro Max’s 48MP cameras – PhoneArena, https://www.phonearena.com/news/Close-up-image-shows-significant-size-difference-between-iPhone-15-and-Pro-Maxs-48MP-cameras_id151350 35. Why Do Phones Have 3 Cameras – Hollyland, https://www.hollyland.com/blog/tips/why-do-phones-have-3-cameras 36. iPhone 15 and iPhone 15 Plus – Technical Specifications – Apple, https://www.apple.com/iphone-15/specs/ 37. Take macro photos and videos with your iPhone camera – Apple Support, https://support.apple.com/guide/iphone/take-macro-photos-and-videos-iphfaacf2eb0/ios 38. Let’s talk about sensor-shift image stabilization. : r/iphone – Reddit, https://www.reddit.com/r/iphone/comments/juoyzj/lets_talk_about_sensorshift_image_stabilization/ 39. Apple’s novel Sensor-shift OIS in the iPhone 12 Pro Max camera – reverse-costing, https://www.reverse-costing.com/teardown-notes/apples-novel-sensor-shift-ois-iphone-12-pro-max-ca/ 40. Why Apple is intelligent about its use of Apple Intelligence in the new iPhone 16 series, https://medium.com/@satishlokhande5674/why-apple-is-intelligent-about-its-use-of-apple-intelligence-in-the-new-iphone-16-series-b970120de496 41. AI in Photography: How iPhone Uses AI for Better Photos – AlmaBetter, https://www.almabetter.com/bytes/articles/exploring-the-role-of-ai-in-i-phone-photography 42. Neural Engine – Wikipedia, https://en.wikipedia.org/wiki/Neural_Engine 43. ‘We pioneered computational photography in smartphones’: Apple’s Kaiann Drance, https://www.hindustantimes.com/business/we-pioneered-computational-photography-in-smartphones-apple-s-kaiann-drance-101744963157587.html 44. Adobe debuts ‘computational photography’ camera app for iPhones – Tech in Asia, https://www.techinasia.com/news/adobe-debuts-computational-photography-camera-app-for-iphones 45. Dual-Lens Camera System Patents: Apple’s Legal Maneuvers in Mobile Photography, https://patentpc.com/blog/dual-lens-camera-system-patents-apples-legal-maneuvers-in-mobile-photography 46. What is HDR, anyway? – Lux.camera, https://www.lux.camera/what-is-hdr/ 47. What is the difference between HEIF Max and ProRAW Max on iPhone 15 Pro Max? – Reddit, https://www.reddit.com/r/iphone/comments/191a2p4/what_is_the_difference_between_heif_max_and/ 48. New formats for photos? – Apple Support Communities, https://discussions.apple.com/thread/255818351 49. Top 6 iPhone Camera Settings for Better Looking Videos – Moment, https://www.shopmoment.com/articles/top-5-iphone-camera-settings-for-filmmakers 50. 7 of the Best iPhone Video Settings – Sandmarc, https://www.sandmarc.com/blogs/iphone-filmmaking/what-are-the-best-video-settings-for-iphone 51. The Best iPhone Camera Settings for Video in 2024 – Wistia Blog, https://wistia.com/learn/production/best-iphone-camera-settings-for-video 52. Record ProRes videos with your iPhone camera – Apple Support, https://support.apple.com/guide/iphone/record-prores-videos-iphde02c478d/ios 53. Apple ProRes on iPhone explained: Everything you need to know – iGeeksBlog, https://www.igeeksblog.com/apple-prores-on-iphone/ 54. Use Portrait mode on your iPhone – Apple Support, https://support.apple.com/en-us/102398 55. Take portraits with your iPhone camera – Apple Support, https://support.apple.com/guide/iphone/take-portraits-iphd7d3a91a2/ios 56. Edit Portrait mode photos on iPhone – Apple Support, https://support.apple.com/guide/iphone/edit-portrait-mode-photos-iph310a9a220/ios 57. How To Use iPhone Portrait Mode To Shoot Stunning Portrait Photos, https://iphonephotographyschool.com/portrait-mode/ 58. Use Night mode on your iPhone – Apple Support, https://support.apple.com/en-us/102519 59. Take Night mode photos with your iPhone camera – Apple Support, https://support.apple.com/guide/iphone/take-night-mode-photos-iph1a3c5b4c3/ios 60. iPhone Night mode: how to enable it and get the best low light photos – Tom’s Guide, https://www.tomsguide.com/how-to/how-to-use-night-mode-camera-on-iphone 61. Here’s how everyone’s taking those gorgeous close-up shots with their iPhone – CNET, https://www.cnet.com/tech/mobile/how-to-take-macro-photos-with-iphone/ 62. How to use iPhone’s MACRO Mode (for killer close-ups!) – YouTube, https://www.youtube.com/watch?v=ry-ni8YmB4k 63. Use Cinematic mode on your iPhone – Apple Support, https://support.apple.com/en-gb/102475 64. Record videos in Cinematic mode with your iPhone camera – Apple Support, https://support.apple.com/guide/iphone/record-videos-in-cinematic-mode-ipha0706e2bc/ios 65. Edit Cinematic mode videos on iPhone – Apple Support, https://support.apple.com/guide/iphone/edit-cinematic-mode-videos-iph5e602f6d6/ios 66. How to use Action mode on your iPhone – Stuff, https://www.stuff.tv/features/how-to-use-iphone-action-mode/ 67. Change the camera’s video recording settings on iPhone – Apple Support, https://support.apple.com/guide/iphone/change-video-recording-settings-iphc1827d32f/ios 68. Use Photographic Styles with your iPhone camera – Apple Support, https://support.apple.com/guide/iphone/use-photographic-styles-iph939c00e95/ios 69. How do I set a custom photographic style? : r/iphone – Reddit, https://www.reddit.com/r/iphone/comments/1g95na3/how_do_i_set_a_custom_photographic_style/ 70. VIDEO – iPhone vs $7500 DSLR camera – Can you tell the difference? – Signature Edits, https://www.signatureedits.com/iphone-vs-dslr-digital-camera/ 71. iPhone vs DSLR: Which Camera is Best for Photography? – Tata Neu, https://www.tataneu.com/pages/electronics/consumer-electronics/iphone-vs-dslr-which-camera-is-best-for-photography 72. iPhone 16 Pro Max vs DSLR Camera: Which Takes Better Photos? – KraftGeek, https://kraftgeek.com/ko/blogs/creator-inspiration/iphone-16-pro-max-vs-dslr-camera-which-takes-better-photos 73. What are the differences between an iPhone and a professional camera? Why do some people still choose to use cameras instead of just using their phones? – Quora, https://www.quora.com/What-are-the-differences-between-an-iPhone-and-a-professional-camera-Why-do-some-people-still-choose-to-use-cameras-instead-of-just-using-their-phones 74. How Does iPhone Camera Compare to DSLR for Professional Photographers?, https://photo4art.com/blogs/news/how-does-iphone-camera-compare-to-dslr 75. iPhone vs. Digital SLR: How Does an iPhone Stack Against a Real Camera? – How-To Geek, https://www.howtogeek.com/iphone-vs-digital-slr-how-does-an-iphone-stack-against-a-real-camera/ 76. iPhone Photos vs Mirrorless Cameras : r/iPhoneography – Reddit, https://www.reddit.com/r/iPhoneography/comments/1dmb6af/iphone_photos_vs_mirrorless_cameras/ 77. Comparison between DSLR and iPhone 15 Pro : r/Cameras – Reddit, https://www.reddit.com/r/Cameras/comments/1ca9nr8/comparison_between_dslr_and_iphone_15_pro/ 78. DSLR vs iPhone: Can Your Smartphone Compete with a Professional Camera, https://deliveredsocial.com/dslr-vs-iphone-can-your-smartphone-compete-with-a-professional-camera/ 79. $5,000 Pro Camera vs iPhone 15 Pro: Sometimes Closer Than You’d Think | PetaPixel, https://petapixel.com/2023/10/10/5000-pro-camera-vs-iphone-15-pro-sometimes-closer-than-youd-think/ 80. iPhone vs DSLR Camera: Which Is Better? – Shotkit, https://shotkit.com/iphone-vs-dslr-camera/ 81. iPhone 14 versus DSLR or digital camera – Reddit, https://www.reddit.com/r/iphone/comments/13hxknl/iphone_14_versus_dslr_or_digital_camera/ 82. What Are The Similarities Between iPhones and DSLRs In Terms of Their Cameras?, https://www.youtube.com/watch?v=39R5svMQ84c