The Open Gate Revolution: An In-Depth Analysis of the Panasonic Lumix S5IIX for Wedding Videography

Introduction: The Hybrid Mandate and the Rise of Open Gate

The contemporary wedding videographer operates under a new, unwritten mandate: the dual-delivery imperative. Clients no longer expect a single, cinematic highlight film in a traditional 16:9 widescreen format. The modern deliverable package now includes a suite of vertically-oriented assets tailored for social media platforms like Instagram Reels, YouTube Shorts, and TikTok. This demand for multi-format content has created a significant workflow bottleneck. Historically, professionals were forced into inefficient and creatively compromising solutions: either shooting pivotal, unrepeatable moments multiple times in different camera orientations or executing severe, quality-degrading crops in post-production to extract a vertical video from a horizontal source.

In response to this pressing industry challenge, a technology once reserved for high-end cinema cameras has emerged as a transformative solution: Open Gate recording. This feature is not merely an incremental update but a fundamental paradigm shift in video acquisition, promising a “shoot once, deliver everywhere” workflow that maximizes both efficiency and quality. While the technology has existed for some time, its integration into accessible, hybrid mirrorless cameras has been a recent development.

Leading this democratization is the Panasonic Lumix S5IIX. By incorporating a robust Open Gate mode into a feature-rich, full-frame body at a competitive price point, Panasonic has positioned the S5IIX as a formidable tool for event and wedding professionals. This report provides an exhaustive technical analysis of the Open Gate feature as implemented in the Lumix S5IIX and presents a detailed, workflow-oriented case for why this camera has become a top contender for the unique and demanding discipline of wedding videography.

Deconstructing Open Gate: More Than Just Pixels

From Film Gates to Digital Sensors: A Technical Primer

To fully appreciate the significance of Open Gate, it is essential to understand its origins. The term itself is an etymological holdover from the era of celluloid film. On a traditional cine camera, the “gate” is the physical rectangular aperture that sits between the film and the lens, defining the precise area of the film stock that is exposed to light. To achieve various widescreen aspect ratios, filmmakers would often use masks within this gate, effectively cropping the frame during capture. Shooting “Open Gate” meant removing these masks and exposing the entire available area of the film frame.

In the digital era, the sensor has replaced the film stock, but the principle remains identical. Most digital camera sensors are not natively widescreen. Full-frame sensors, like the one in the Lumix S5IIX, have a native aspect ratio of 3:2, mirroring 35mm still photography, while Micro Four Thirds sensors typically have a 4:3 aspect ratio. When a camera records standard video in a 16:9 aspect ratio, it is not using the entire sensor. Instead, it is performing an in-camera crop, reading out a “windowed” horizontal slice from the middle of the sensor and discarding the valuable pixel data from the top and bottom portions.

Open Gate recording fundamentally alters this process. It captures video using the full width and height of the image sensor, recording every available pixel. This results in a video file with a taller, native aspect ratio (3:2 in the case of the S5IIX) and a significantly higher overall resolution than its 16:9 counterpart.

The Geometry of Flexibility: How Taller Aspect Ratios Redefine the Frame

The primary advantage conferred by Open Gate recording is an unprecedented degree of flexibility in post-production. The taller, higher-resolution source file acts as a master canvas from which multiple final aspect ratios can be derived without a catastrophic loss of quality. This capability is best illustrated with a direct numerical comparison.

The Lumix S5IIX’s 6K Open Gate mode captures a frame with a resolution of 5952 \times 3968 pixels. When a videographer needs to create a vertical 9:16 deliverable from this footage, they can crop a vertical slice that measures an impressive 2232 \times 3968 pixels. In contrast, if they were to attempt the same vertical crop from a standard 4K 16:9 recording (3840 \times 2160 pixels), the resulting image would be a mere 1215 \times 2160 pixels. The Open Gate method yields a vertical image with nearly double the horizontal resolution and significantly more detail, easily surpassing 1080p and approaching 4K vertically.

This surplus of resolution empowers the editor with powerful reframing capabilities. Beyond simple cropping, it allows for the introduction of digital camera movements—such as pans, tilts, or zooms—on a static shot with minimal degradation in quality. For an event videographer, this also serves as a crucial corrective tool. A shot that was framed with slightly too much headroom during a fast-paced moment can be perfectly recomposed in the edit, a luxury not afforded by a tightly framed 16:9 source.

Furthermore, this “extra” pixel data provides a significant advantage for digital image stabilization. Post-production stabilization software works by analyzing motion and shifting the frame to counteract camera shake, which inherently requires cropping into the image. When stabilizing traditional 16:9 footage, this crop can eat into the essential parts of the composition and reduce the final output resolution. With an Open Gate source file, the software has a large buffer of pixels around the intended 16:9 or 9:16 frame to work with. This allows for aggressive stabilization to be applied while still preserving the full resolution and composition of the final deliverable.

For a wedding professional, this capability transcends creative convenience and becomes a powerful form of risk mitigation. Wedding days are defined by a succession of unscripted, unrepeatable moments: the first kiss, a parent’s tearful glance, the exchange of vows. A traditional 16:9 recording locks the videographer into the compositional choices made in that split second. A slight framing error can be permanent. Open Gate, by capturing a much larger canvas, provides an essential safety net. The additional vertical information acts as an insurance policy, allowing the editor to perfect the composition in post, effectively “tilting” the frame up or down to salvage a shot that might otherwise have been compromised. In the high-stakes environment of a live wedding, this transforms Open Gate from a desirable feature into a strategic professional asset.

The Lumix S5IIX: A Technical Deep Dive into its Open Gate Capabilities

The ability to offer a feature as data-intensive as Open Gate in a compact mirrorless body is not a simple matter. It is the result of a synergistic combination of a new sensor, a powerful processor, and a suite of supporting professional technologies.

Sensor and Processing Power: The Foundation of Performance

At the heart of the Lumix S5IIX is a newly developed 24.2-megapixel full-frame CMOS sensor, with physical dimensions of 35.6 mm x 23.8 mm and a native 3:2 aspect ratio. The development of a new sensor was a prerequisite for one of the camera’s headline upgrades: the integration of a 779-point on-sensor Phase Detection Auto-Focus (PDAF) system, a first for the Lumix line.

Driving this new sensor is a new, faster processing engine, born from the L² Technology alliance between Panasonic and LEICA. This processor is the critical component that enables the camera to manage the immense data throughput required to read out the entire 24.2-megapixel sensor up to 30 times per second, a task that was previously the domain of much more expensive cinema cameras.

Open Gate Specifications: Resolution, Frame Rates, and Codecs

The Lumix S5IIX’s implementation of Open Gate has a specific and important set of technical parameters. Understanding these is key to leveraging the feature effectively.

• Resolution and Aspect Ratio: The camera records at a full sensor resolution of 5952 \times 3968 pixels, commonly marketed as 6K, in the sensor’s native 3:2 aspect ratio.
• Frame Rates: Open Gate recording is limited to standard cinematic and broadcast frame rates of 29.97p, 25.00p, and 23.98p. The absence of high frame rate options like 60p for slow-motion in this mode is a notable limitation, a consequence of the massive data processing required.
• Codec, Color, and Bitrate: To manage the data stream, the S5IIX records Open Gate footage internally to SD cards using the highly efficient H.265/HEVC codec with LongGOP (inter-frame) compression. The files are captured with 10-bit color depth and 4:2:0 chroma subsampling at a bitrate of 200 Mbps.

This choice of codec and color space represents a deliberate and intelligent engineering compromise. Reading the full ~24MP sensor at 30fps generates a colossal amount of raw data. To make this stream manageable for the internal processor and recordable to widely available SD cards, sacrifices were necessary. Panasonic prioritized the game-changing workflow advantage of full-sensor capture over maintaining 4:2:2 chroma subsampling. For the target wedding videographer, whose work rarely involves the heavy visual effects or green screen compositing where 4:2:2 provides its main advantage, this trade-off is strategically sound. The flexibility to reframe for multiple platforms is a far more impactful benefit than a marginal, and for final delivery often imperceptible, increase in color information.

Synergistic Technologies: The Ecosystem That Makes Open Gate Viable

Open Gate does not exist in a vacuum. Its utility for a wedding videographer is magnified by a host of other professional-grade features integrated into the S5IIX.

• Phase Hybrid Autofocus: The shift from Panasonic’s previous contrast-based Depth From Defocus (DFD) system to a true Phase Hybrid AF system is arguably the single most important upgrade for event videographers. The new system offers vastly improved speed, reliability, and tracking tenacity, especially for human subjects. For a solo operator tasked with capturing a bride walking down the aisle or a couple’s first dance, this reliable autofocus is non-negotiable, and its full functionality in the demanding Open Gate mode is a critical asset.
• Active I.S. and Stabilization: The S5IIX features a robust 5-axis in-body image stabilization (IBIS) system. This is enhanced by a new Active I.S. mode, which uses advanced algorithms to better anticipate and correct for the larger, more complex movements associated with walking, resulting in smoother handheld footage. While some users note that the physical range of motion for the sensor-shift mechanism is slightly constrained during a full-sensor readout, the combination of the excellent in-camera stabilization with the vast potential for digital stabilization in post (enabled by Open Gate’s resolution) provides an unparalleled stabilization toolkit.
• Thermal Management: A wedding day is a marathon, not a sprint, involving long, continuous recording sessions for ceremonies and speeches. The S5IIX’s inclusion of a discrete, built-in cooling fan is a direct answer to the overheating issues that have plagued many competing mirrorless cameras. This active thermal management allows for unlimited recording times in most 4K modes and ensures the camera will not shut down at a critical moment. While the 6K Open Gate mode does have a 30-minute recording limit when the thermal management is set to “Standard,” this is a manageable constraint and a significant improvement over cameras with no active cooling at all.

The Wedding Videographer’s Edge: Why the S5IIX with Open Gate is a Top Contender

The technical capabilities of the Lumix S5IIX translate directly into tangible, strategic advantages that address the specific pain points of modern wedding videography.

The “Shoot Once, Deliver Everywhere” Workflow

The most profound impact of the S5IIX’s Open Gate feature is the radical simplification of the on-site workflow. The videographer can shoot the entire wedding day with the camera held in a standard horizontal orientation, confident in the knowledge that a high-quality, high-resolution vertical cut can be extracted from every single clip in post-production.

This single change eliminates the need to make a crucial decision in the heat of the moment: “Should I shoot this horizontally for the main film or vertically for the social media edit?” It removes the time-consuming and often awkward process of re-shooting key moments, which is frequently impossible during a live event. It also solves the significant ergonomic and balance challenges of mounting a camera vertically on a gimbal or other stabilizer. Furthermore, this flexibility extends beyond the wedding day itself. If a client makes a post-delivery request for a specific aspect ratio that was not part of the original brief, the videographer can fulfill this request easily, enhancing client satisfaction and professional standing without requiring a reshoot.

A Safety Net for Unscripted Moments

As previously discussed, the additional vertical resolution captured in Open Gate mode serves as a powerful corrective tool. In the unpredictable environment of a wedding, perfect composition is not always possible. A guest might unexpectedly step into the frame, or the videographer might leave too much headroom while tracking a moving subject. With a traditional 16:9 capture, these minor errors are either permanent or can only be corrected with a quality-degrading digital punch-in. The S5IIX’s Open Gate footage provides the editor with the latitude to reframe the shot—effectively tilting the virtual camera up or down—to eliminate distractions or perfect the composition, all while maintaining the integrity and resolution of the final image. This ability to salvage and perfect footage is an invaluable asset for any professional working with unscripted content.

Enhancing Cinematic Quality: Stabilization, Low Light, and Creative Freedom

The benefits of Open Gate extend beyond workflow efficiency and into the realm of creative enhancement.

• A Hybrid Stabilization Approach: The S5IIX offers a best-of-both-worlds stabilization solution. The excellent in-camera Active I.S. provides a smooth foundation for handheld shots, particularly when walking. The high-resolution Open Gate file then allows for the application of powerful digital stabilization in post-production, smoothing out any remaining micro-jitters without compromising the final 4K or Full HD output resolution.
• Low-Light Prowess: While not a direct function of Open Gate, the S5IIX’s full-frame sensor and strong high-ISO performance are critical for wedding work. The ability to produce clean, usable footage in dimly lit reception halls and during evening ceremonies is essential. This strong low-light capability makes the entire camera package more versatile and reliable across the full span of a wedding day.
• Adding Production Value: The immense resolution of the 6K Open Gate file unlocks creative possibilities. For static shots on a tripod, such as during speeches or the ceremony, the editor can create subtle, slow digital zooms or pans in post-production. This adds a layer of dynamic movement and production value to the final film, making static scenes more engaging for the viewer, all from a single, locked-off shot.

Built for the Big Day: Reliability and Professional Features

The Lumix S5IIX is not merely a consumer camera with one standout feature; it is a robust tool designed for professional use. The active cooling system provides the peace of mind that the camera will perform reliably through long recording sessions. The dual UHS-II SD card slots allow for simultaneous recording, creating an instant backup of irreplaceable footage—a non-negotiable requirement for wedding professionals.

The S5IIX model, in particular, offers features geared toward a higher-end workflow, such as the ability to record in professional codecs like Apple ProRes and ALL-Intra (though not in Open Gate mode) and the option to record directly to an external SSD via the USB-C port. Furthermore, the camera’s advanced audio capabilities, including four-channel recording with the optional DMW-XLR1/XLR2 adapter, are vital for capturing high-quality, isolated audio from multiple sources—a cornerstone of professional wedding filmmaking.

This focus on a specific, high-value feature like Open Gate represents a significant disruption in the competitive landscape. Major competitors in the wedding and event space, such as the Sony A7IV, A7SIII, and various Canon EOS R models, notably lack an equivalent full-sensor recording mode. In fact, communities of users for these competing systems are actively petitioning for Open Gate to be added via firmware updates, underscoring its perceived value. By making Open Gate a central pillar of its recent camera releases, Panasonic has carved out a powerful unique selling proposition. A prospective buyer must now weigh a potential advantage in another area, such as a competitor’s autofocus reputation or lens selection, against the fundamental and transformative workflow efficiency offered by the Lumix S5IIX. For a business-minded professional, the quantifiable time saved and the increased versatility provided by the Open Gate workflow can represent a more significant long-term value than a marginal difference in another specification.

Practical Implementation: A Workflow Guide for the S5IIX Open Gate Shooter

Leveraging the power of Open Gate requires adjustments to both on-set practices and post-production workflows.

In the Field: Framing, Storage, and Best Practices

• Framing with Intent: The key to successful Open Gate shooting is to compose for multiple outputs simultaneously. The Lumix S5IIX facilitates this with its highly customizable in-camera Frame Markers. A videographer can and should overlay guides for both their primary 16:9 cinematic frame and their 9:16 vertical frame. This allows for precise composition, ensuring that the subject is well-placed for all intended deliverables. A general best practice is to keep the most critical subjects relatively centered within the 3:2 frame, as this provides the maximum flexibility for both horizontal and vertical crops.
• Managing Storage: The 6K Open Gate mode records at a consistent bitrate of 200 Mbps. This translates to approximately 25 Megabytes per second (MB/s). A 128 GB memory card can therefore hold approximately 85 to 87 minutes of footage. Given the long duration of wedding events, videographers will need to plan for substantial storage, carrying multiple high-capacity cards. It is critical to use cards that can sustain the required write speed. While V60-rated SD cards are technically sufficient, V90-rated UHS-II cards are strongly recommended to ensure flawless, drop-free recording and provide a safety margin.

In the Edit Bay: Taming the H.265 Beast

While Open Gate simplifies capture, it adds complexity to post-production. The H.265/HEVC codec, chosen for its incredible compression efficiency, is notoriously difficult for computers to decode in real-time. This is because it uses complex inter-frame compression, meaning the computer has to analyze multiple surrounding frames just to display a single one. This can result in choppy, stuttering playback during editing, even on reasonably powerful machines.

• Hardware Requirements: To edit 6K H.265 footage natively with any degree of comfort, a powerful workstation is required. Minimum recommendations include a modern multi-core processor with hardware decoding capabilities (such as an Intel Core i7 or i9 from the 10th generation or newer, which feature Quick Sync Video technology), a minimum of 32 GB of system RAM (with 64 GB being ideal), and a robust dedicated graphics card (like an NVIDIA GeForce RTX 30- or 40-series GPU) with at least 8 GB of VRAM. The hardware-accelerated decoding provided by technologies like Intel’s Quick Sync is particularly crucial for smooth H.265 playback.
• The Professional Solution: Proxy Workflow: The industry-standard and highly recommended best practice for handling demanding codecs is to use a proxy workflow. This process involves creating low-resolution, easy-to-edit “proxy” files from the original high-resolution camera files. These proxies are typically in an intra-frame codec like Apple ProRes. The editor then works with these lightweight proxy files, which allows for a perfectly smooth, real-time editing experience on almost any modern computer. Before the final export, the editing software automatically links back to the original full-quality 6K Open Gate files, ensuring the final render uses the best possible source material. Adopting a proxy workflow is the most effective way to completely bypass the performance challenges of editing H.265 footage.

Conclusion: A Nuanced Verdict on the Lumix S5IIX for Wedding Professionals

The Panasonic Lumix S5IIX, with its signature Open Gate recording feature, presents a compelling and strategically sound proposition for the modern wedding videographer. Its primary strength lies not in a single specification but in its holistic approach to solving one of the most significant workflow challenges facing the industry today: the efficient creation of high-quality, multi-platform video content. The ability to shoot once and deliver for both cinematic and social media formats is a transformative advantage that saves time on set, reduces complexity in post-production, and enhances creative flexibility.

This core benefit is buttressed by a suite of professional-grade features that make the camera a reliable workhorse for the rigors of a wedding day. The introduction of a fast and dependable Phase Hybrid Autofocus system, the exceptional performance of the Active I.S. stabilization, and the crucial inclusion of an active cooling system collectively address historical pain points and instill a high degree of user confidence.

However, the adoption of this workflow is not without its considerations. The Open Gate mode is limited to a maximum of 30 frames per second, precluding its use for slow-motion capture. The use of a 4:2:0 color space, while a logical engineering compromise, is a step down from the 4:2:2 available in other modes. Most significantly, the computationally intensive H.265 codec requires either a substantial investment in high-end editing hardware or the disciplined adoption of a proxy-based post-production workflow.

Ultimately, for the target professional, these trade-offs are overwhelmingly favorable. The Lumix S5IIX with Open Gate is more than just a camera; it is a complete system solution. It streamlines the creative process, provides a vital safety net for capturing unrepeatable moments, and directly answers the hybrid demands of the current market. The combination of a revolutionary workflow, robust reliability, and a comprehensive feature set at its price point establishes the Panasonic Lumix S5IIX as one of the most intelligent, forward-thinking, and powerful tools available to wedding videographers today.

Works cited

1. What is Open Gate Video Recording? | Park Cameras, https://www.parkcameras.com/blog/tips-and-inspiration/what-is-open-gate-video-recording_s09-04 2. ELI5 This open gate business : r/Lumix – Reddit, https://www.reddit.com/r/Lumix/comments/1gosc78/eli5_this_open_gate_business/ 3. Why “Open Gate” is the new 4k. – Page One Media, https://pageonemedia.co.uk/why-open-gate-is-the-new-4k/ 4. WTF is ‘Open Gate’ and do you really need it on your camera?, https://www.digitalcameraworld.com/features/wtf-is-open-gate-and-do-you-really-need-it-on-your-camera 5. What is Open Gate (and why everyone wants it) – YouTube, https://www.youtube.com/watch?v=Y7dl589N2yo 6. Open Gate Demystified: How to Frame and Crop Better – wolfcrow, https://wolfcrow.com/open-gate-demystified-how-to-frame-and-crop-better/ 7. Rumored Nikon Z9/Z8 firmware updates roadmap, https://nikonrumors.com/2023/12/02/rumored-nikon-z9-z8-firmware-updates-roadmap.aspx/ 8. www.parkcameras.com, https://www.parkcameras.com/blog/tips-and-inspiration/what-is-open-gate-video-recording_s09-04#:~:text=Open%20Gate%20video%20changes%20that,on%20the%20sensor’s%20native%20shape. 9. What is Open Gate video, and why is it a big deal? – Panasonic UK & Ireland, https://www.panasonic.com/uk/consumer/cameras-camcorders/lumix-expert-advice-learn/lumix-expert-advice/what-is-open-gate-video-and-why-is-it-a-big-deal.html 10. What is an OPEN GATE Camera? – YouTube, https://www.youtube.com/shorts/tISHbSDJaYQ 11. LUMIX S5II and LUMIX S5IIX: Open gate shooting – Creator Handbook, https://www.creatorhandbook.net/lumix-s5ii-and-lumix-s5iix-open-gate-shooting/ 12. What is Open Gate recording? Photography terms explained – EOS magazine, https://www.eos-magazine.com/articles/eospedia/what-is/open-gate-recording.html 13. OpenGate and Social Networks : r/Lumix – Reddit, https://www.reddit.com/r/Lumix/comments/1gvydd5/opengate_and_social_networks/ 14. DPReview TV – What is ‘open gate’ video recording and why should you care?, https://www.dpreview.com/videos/0422734698/dpreview-tv-what-is-open-gate-recording-and-why-should-you-care 15. New features bring phase detection AF and Active IS to Lumix S5II – Panasonic UK & Ireland, https://www.panasonic.com/uk/consumer/cameras-camcorders/lumix-expert-advice-learn/lumix-expert-advice/new-features-bring-phase-detection-af-and-active-is-to-lumix-s5ii.html 16. LUMIX S5iiX – WATCH BEFORE YOU BUY! – PRONEWS, https://en.pronews.com/reviews/2023062522104037.html 17. Expanded Specifications Panasonic Lumix S5IIX Camera – Carmarthen Cameras, https://carmarthencameras.com/pages/expanded-specifications-panasonic-lumix-s5iix-camera 18. Panasonic Lumix DC-S5IIX full specifications: Digital Photography Review, https://www.dpreview.com/products/panasonic/slrs/panasonic_dcs5iix/specifications 19. Specs – LUMIX S5IIX Full-Frame Camera | DC-S5M2X | Panasonic UK & Ireland, https://www.panasonic.com/uk/consumer/cameras-camcorders/lumix-mirrorless-cameras/lumix-s-full-frame-cameras/dc-s5m2x.specs.html 20. LUMIX S5IIX / S5II Support High Bit-Rate Video Options and Phase Hybrid AF, https://www.digitalmediaworld.tv/cameras/lumix-s5iix-s5ii-support-high-bit-rate-video-options-and-phase-hybrid-af 21. About the 6k open gate of the S5iix… : r/Lumix – Reddit, https://www.reddit.com/r/Lumix/comments/19a18cm/about_the_6k_open_gate_of_the_s5iix/ 22. S5iix anamorphic? : r/Lumix – Reddit, https://www.reddit.com/r/Lumix/comments/16tvqgt/s5iix_anamorphic/ 23. Panasonic Lumix S5IIX Review – Worth £2k? – All Things Photography, https://www.all-things-photography.com/panasonic-lumix-s5iix-review/ 24. S5 II open gate 6k and PDAF with human/eye detection? : r/Lumix – Reddit, https://www.reddit.com/r/Lumix/comments/14nnx3u/s5_ii_open_gate_6k_and_pdaf_with_humaneye/ 25. Understanding the LUMIX S5II and LUMIX S5IIX’s new IBS system – Videomaker, https://www.videomaker.com/sponsored/understanding-the-lumix-s5ii-and-lumix-s5iixs-new-ibs-system/ 26. S5IIx curious, are there open gate trade offs? : r/Lumix – Reddit, https://www.reddit.com/r/Lumix/comments/1ajijsl/s5iix_curious_are_there_open_gate_trade_offs/ 27. Panasonic LUMIX S5M2X Full Frame Mirrorless Camera Body Only – DC-S5M2XBODY, https://shop.panasonic.com/products/s5m2x-full-frame-mirrorless-camera-body 28. My Year With the Lumix S5II: A Comprehensive Review – CachedOut, https://cached-out.com/lumix-s5ii-year-review/ 29. Photographic and visual expression to delight creators – Panasonic UK & Ireland, https://www.panasonic.com/uk/consumer/cameras-camcorders/lumix-s-mirrorless-full-frame-cameras-learn/article/lumix-s5iix-special-features/photographic-and-visual-expression-to-delight-creators.html 30. Panasonic LUMIX S5IIX Video Recording Limits, https://www.recordinglimits.com/panasonic-lumix-s5iix/ 31. S5IIX vs A7IV in 2024 (is Open Gate worth it?) : r/Lumix – Reddit, https://www.reddit.com/r/Lumix/comments/19aq5or/s5iix_vs_a7iv_in_2024_is_open_gate_worth_it/ 32. Advantage of Full-sensor ‘open gate’/anamorphic capture? – Cameras – EOSHD Forum, https://www.eoshd.com/comments/topic/87052-advantage-of-full-sensor-open-gateanamorphic-capture/ 33. Thinking of picking up the s5iix, tall me your real experience please!! : r/Lumix – Reddit, https://www.reddit.com/r/Lumix/comments/187kmh0/thinking_of_picking_up_the_s5iix_tall_me_your/ 34. Panasonic Lumix S5IIX review – ultimate hybrid for creators – Amateur Photographer, https://amateurphotographer.com/review/panasonic-lumix-s5iix-review/ 35. Sony a7S III Feature Requests from Community, https://us.community.sony.com/s/question/0D54O000076iblmSAA/sony-a7s-iii-feature-requests-from-community?language=en_US 36. Open Gate Video Using Photo Mode Recording Externally with Atomos Ninja V – Reddit, https://www.reddit.com/r/A7siii/comments/1jq4lj4/open_gate_video_using_photo_mode_recording/ 37. Any chance of Sony a7s/zve1/fx3 going open-gate via software update? – Reddit, https://www.reddit.com/r/videography/comments/1c3nrh8/any_chance_of_sony_a7szve1fx3_going_opengate_via/ 38. Canon EOS R5 – Revolutionising videography. 8K RAW has arrived, https://en.canon-cna.com/cameras/eos-r5/video-performance/ 39. Aspect ratio issue in video R5 ii : r/canon – Reddit, https://www.reddit.com/r/canon/comments/1jahib9/aspect_ratio_issue_in_video_r5_ii/ 40. Sony A1 and A7sIII firmware update will bring many more features than you expect!, https://www.sonyalpharumors.com/sony-a1-and-a7siii-firmware-update-will-bring-many-more-features-than-you-expect/ 41. Canon EOS R5C Feature Suggestions – Canon Community, https://community.usa.canon.com/t5/Professional-Video/Canon-EOS-R5C-Feature-Suggestions/td-p/401057 42. Nikon Z8 first impressions – Page 2 – Cameras – EOSHD Forum, https://www.eoshd.com/comments/topic/90143-nikon-z8-first-impressions/page/2/ 43. S5IIX vs A7IV (is Open Gate worth it?) : r/videography – Reddit, https://www.reddit.com/r/videography/comments/19aq7lc/s5iix_vs_a7iv_is_open_gate_worth_it/ 44. Lumix Open Gate Explained for Dummies! – YouTube, https://www.youtube.com/watch?v=uo1MaZySeMQ 45. Tips for SD-Cards for S5ii (EU) : r/Lumix – Reddit, https://www.reddit.com/r/Lumix/comments/16q0u68/tips_for_sdcards_for_s5ii_eu/ 46. s5ii vs s5iix – Open Gate : r/Lumix – Reddit, https://www.reddit.com/r/Lumix/comments/1ezqtpk/s5ii_vs_s5iix_open_gate/ 47. Recording in 6K open-gate on S5iiX – V60 or V90 SD cards? : r/Lumix – Reddit, https://www.reddit.com/r/Lumix/comments/1alt3lw/recording_in_6k_opengate_on_s5iix_v60_or_v90_sd/ 48. Lumix S5iiX limited codecs in open gate? – Reddit, https://www.reddit.com/r/Lumix/comments/1bncbge/lumix_s5iix_limited_codecs_in_open_gate/ 49. Editing S5iix 6K OpenGate 4:2:0 hellish compared to 4K 4:2:2 : r/Lumix – Reddit, https://www.reddit.com/r/Lumix/comments/1i7z1tk/editing_s5iix_6k_opengate_420_hellish_compared_to/ 50. Video Editing Hardware & Software | Tom Antos Films, https://tomantosfilms.com/recommended-gear/video-editing/ 51. Best CPU/GPU combo for editing H.265 video – PCPartPicker, https://pcpartpicker.com/forums/topic/455898-best-cpugpu-combo-for-editing-h265-video 52. Video editing in 6K: Minimum system requirements – Videomaker, https://www.videomaker.com/how-to/technology/editing-in-6k-minimum-system-requirements/ 53. What do I need to edit with the Panasonic GH5? : r/VideoEditing – Reddit, https://www.reddit.com/r/VideoEditing/comments/rcckx3/what_do_i_need_to_edit_with_the_panasonic_gh5/ 54. What’s is the best pc to run PR while editing in 4K (h.265/h.264 10 bit 4:2:2 ) : r/premiere, https://www.reddit.com/r/premiere/comments/17q9l1c/whats_is_the_best_pc_to_run_pr_while_editing_in/